Humà Design Structure

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Revisión del 14:08 22 nov 2022 de WilfredAbell4 (Discusión | contribuciones) (Página creada con «The main intervention was to renovate the previous internal courtyard on the lateral side, so as to set up the principle entrance of the workplace. The entrance is essentia...»)

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The main intervention was to renovate the previous internal courtyard on the lateral side, so as to set up the principle entrance of the workplace. The entrance is essentially glazed and in addition incorporates a few shelves used to display architectural models. At the back, the assembly room is concealed by a striated glass panel, creating a play of light and movement while preserving the privacy of its occupants. Naturehumaine’s office is transferring into a century-old building on the nook of Gilford Street, within the square left by Mr. Jiji, the emblematic shoemaker of the neighbourhood who retired. The project goals to revive the building’s heritage options and protect the soul of a local business whereas giving it a contemporary touch.
The ancestral wood construction of the interior wall " piece on piece " is uncovered and painted white within the double height area, whereas the structural beams of the lounge are left exposed and stained in the same shade as the wooden ground. These east-facing skylights present natural gentle to the dwelling areas, workshop and grasp rest room all going through the lake to the west. The house itself is kind of a work device, cime with the ultramodern offices incorporating the newest technological gear to have the ability to attract and meet the needs of staff aged 25 to 35.
Located in the Plateau-Mont-Royal borough, the transformation and enlargement of this duplex into a single family house is outlined by the geometrical dialogue of two complementary volumes highlighted by a set of angles and contrasting tonalities. The project consists of the expansion and full renovation of a single-family home situated in Rosemont-La-Petite-Patrie, to welcome a happy and unexpected arrival of a third child into the household, named Victoria. In this way, the Doyenne capitalizes on the density of its environment to unveil a project that is intimately built-in into its setting. Spread over four levels, its inside spatiality is a continuous house accentuating the interplay between the parts of the home. In June 2006, Montreal turned the first city in North America to hitch the lately created UNESCO City of Design community, after Buenos Aires and Berlin .
Nestled behind the original freestanding tub, is a terracotta-rounded bathe that benefits from an oblique gentle coming via the principle bedroom. In the guts of the home, this contact of colour on the stairs attracts the eye and becomes a playful and geometric element. The monochrome staircase is designed as a light-weight structural work, composed of steel blades and painted cabinetry panels. Inside, the majestic staircase at the entrance to the house is preserved and restored.
The project consists of the transformation of a Montreal duplex into a single-family house. The architectural idea is build round a model new staircase that joins the prevailing building to the courtyard extension. It defines the playground space in double top by extending the colour utilized to the ground. At the meeting level of the three volumes is the practical core coupled with the staircase resulting in the lower stage, partly embedded within the slope of the location. Partially recessed within the slope, this one hosts in a row the visitor rooms, all positioned so as to profit from a direct view and entry to the lake a couple of meters lower.