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With more than a couple shades of Gone Girl, and with a sexed-up driving scene that will feel acquainted to lovers of Elordi's get the job done on Euphoria, Deep Water heralds the return of the trashy and extremely implausible Friday night time thriller. Dreyer, 1944), La Maman et la Putain (Mother and the Whore, Jean Eustache, 1973), Holy Matrimony (John M. Stahl, 1943), House of Bamboo (Samuel Fuller, 1955), The Shining Hour (Frank Borzage, 1938), Husbands (John Cassavetes, 1970), While the City Sleeps (Fritz Lang, 1956), Le Gai Savoir (Jean-Luc Godard, 1968), The Vagabond (Charles Chaplin, 1916), The Effect of Gamma Rays on Man-in-the-Moon Marigolds (Paul Newman, 1972), La Belle Noiseuse (Jacques Rivette, 1991), La Belle Noiseuse-Divertimento (Jacques Rivette, 1991), Green Light (Frank Borzage, 1936), Great Day in the Morning (Jacques Tourneur, 1956), die Antigone des Sophokles nach der Hölderlinschen Ubertragung für die Bühne bearbeitet von Brecht 1948(Shurkamp Verlag (Antigone, Danièle Huillet and Jean-Marie Straub, 1991), Geschichtsunterricht (History Lessons, Danièle Huillet and Jean-Marie Straub, 1972), Cheyenne Autumn (John Ford, 1964), Zastava Ilícha/Mne dvadsát permit (The Gate of Lenin/I Am 20) (Marlen Jusiev/Khutsiev/Huciev, 1962//5//90), Shockproof (Douglas Sirk, 1949), Le Déjeuner sur l’herbe (Jean Renoir, 1959), True Heart Susie (David W. Griffith, 1919), Cleopatra (Cecil B. DeMille, 1934), L’Aigle à deux têtes (Jean Cocteau, 1947), Sergeant Rutledge (John Ford, 1960), Gunman’s Walk (Phil Karlson, 1958), The Tall Target (Anthony Mann, 1951), The Prowler (Joseph Losey, 1950), Time with out pity (Joseph Losey, 1957), The Big Night (Joseph Losey, 1951), Il Grido (Michelangelo Antonioni, 1957), Invasión (Hugo Santiago, 1969), Rysopis (Identification Marks: None, Jerzy Skolimowski, 1964), Walkover (Jerzy Skolimowski, 1965), Pushover (Richard Quine, 1954), Kansas City Confidential (Phil Karlson, 1952), Deutschland bleiche Mutter (Germany, Pale Mother, (Helma Sanders-Brahms, 1979), Remember the Night (Mitchell Leisen, 1939), China nine Liberty 37 (Monte Hellman, 1978), The Uninvited (Lewis Allen, 1944), Second Honeymoon (Walter Lang, 1937), Love Is News (Tay Garnett, 1937), Le Pont des Arts (Eugène Green, 2004), No Name on the Bullet (Jack Arnold, 1959), Man Hunt (Fritz Lang, 1941), Love Among the Ruins (George Cukor, 1975), The Road to Yesterday (Cecil B. DeMille, 1925), North West Mounted Police (Cecil B. DeMille, 1940), Lettre à Freddy Buache à propos d’un court-métrage sur la ville vídeo de sexo GráTis Lausanne (Jean-Luc Godard, 1982), Scénario du film "Passion" (Jean-Luc Godard, 1982), Way Of A Gaucho (Jacques Tourneur, 1952), Design for Living (Ernst Lubitsch, 1933), Harry and Son (Paul Newman, 1984), For Ever Mozart (Jean-Luc Godard, 1996), Trois Ponts sur la rivière (3 Bridges Across the River, Jean-Claude Biette, 1998/9), Young Romance (George Melford, 1915), The Sea Wolf (Michael Curtiz, 1941), Trauma/Dario Argento’s "Trauma" (Dario Argento, 1993), Rien sur Robert (Nothing on Robert, Pascal Bonitzer, 1998), New Rose Hotel (Abel Ferrara, 1998), Mary (Abel Ferrara, 2005), The Walls of Jericho (John M. Stahl, 1948), Hospital General (Carlos Arévalo, 1956), Panic in the Streets (Elia Kazan, 1950), The Rising of the Moon (John Ford, 1956), Odete (Two Drifters, João Pedro Rodrigues, 2005), Gli occhi, la bocca (The Eyes, the Mouth, Marco Bellocchio, 1982), Garden of Evil (Henry Hathaway, 1954), The Solid Gold Cadillac (Richard Quine, 1956), Le Théâtre des Matières (Jean-Claude Biette, 1977), Toutes les nuits (Night After Night, Eugène Green, 2000), To Each His Own (Mitchell Leisen, 1946), In einem Jahr mit 13 Monden (In a Year With Thirteen Moons, Rainer Werner Fassbinder, 1978), Le Deuxième Souffle (Jean-Pierre Melville, 1966), Du côté d’Orouët (Jacques Rozier, 1969-70//73//96), 5th Ave Girl (Gregory LaCava, 1939), India Matri Bhumi (Roberto Rossellini, 1957-8), Tri pesni o Leninye (3 Songs of Lenin, Dziga Vertov, 1934), Le Caporal épinglé (The Elusive Corporal, Jean Renoir, 1962), La ragazza in vetrina (The Girl in the Shop Window, Luciano Emmer, 1960), Best Seller (John Flynn, 1987), In nome del popolo italiano (In Name of the Italian People, Dino Risi, 1971), Liliom (Frank Borzage, 1930), Compulsion (Richard Fleischer, 1959), Die Gezeichneten (Love One Another, Carl Th
